{"id":8610,"date":"2025-05-01T15:27:39","date_gmt":"2025-05-01T15:27:39","guid":{"rendered":"https:\/\/orchestrenouvellegeneration.com\/?page_id=8610"},"modified":"2025-05-20T00:17:26","modified_gmt":"2025-05-20T00:17:26","slug":"barocco-joyeux-ou-presque","status":"publish","type":"page","link":"https:\/\/orchestrenouvellegeneration.com\/fr\/barocco-joyeux-ou-presque\/","title":{"rendered":"BAROCCO JOYEUX… ou presque"},"content":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]<\/p>\n

LES PRINTEMPS SLAVES 2025<\/a><\/h4>\n

Festival international de la musique et des cultures slaves<\/strong><\/p>\n

Elvira Misbakhova<\/a>, alto<\/h4>\n

 <\/p>\n

Program<\/h5>\n

Sinfonia en sol majeur<\/em><\/strong>
\nFranti\u0161ek Ign\u00e1c Anton\u00edn Tuma<\/strong><\/a><\/p>\n

Suite Berezovsky-Zakharava<\/strong>
\nUne s\u00e9lection d’\u0153uvres sacr\u00e9es de Maxim Berezovsky<\/strong><\/a>, arrang\u00e9es pour orchestre \u00e0 cordes, en dialogue avec les compositions r\u00e9centes de Yuliya Zakharava\u2019s<\/strong><\/a> inspir\u00e9es par ces \u0153uvres.<\/p>\n

\u201cRennsteig\u201d<\/strong>
\nConcerto no 2 pour alto, avec orchestre \u00e0 cordes et clavecin, opus 41
\nAirat Ichmouratov<\/strong><\/a><\/p>\n

Elvira Misbakhova<\/strong><\/a>, alto[\/vc_column_text][vc_btn title=\u00a0\u00bbBILLETTERIE\u00a0\u00bb style=\u00a0\u00bbcustom\u00a0\u00bb custom_background=\u00a0\u00bb#861215″ custom_text=\u00a0\u00bb#ffffff\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bburl:https%3A%2F%2Fconservatoire-montreal.tuxedobillet.com%2FConservatoire%2520Montr%25C3%25A9al%2Fles-printemps-slaves-ONG|target:_blank\u00a0\u00bb][vc_separator css=\u00a0\u00bb\u00a0\u00bb el_id=\u00a0\u00bbA1″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]\u201cRennsteig\u201d<\/strong>
\nLe Concerto pour alto et orchestre \u00e0 cordes avec clavecin no 2, \u201cRennsteig\u201d Op.41 a \u00e9t\u00e9 command\u00e9 en 2015 par l\u2019altiste Sasha Mirkovic et l\u2019ensemble Metamorphosis (Belgrade, Serbie). Il a \u00e9t\u00e9 jou\u00e9 en premi\u00e8re et enregistr\u00e9 \u00e0 Belgrade au printemps 2015. Le concerto porte le nom de \u00ab Rennsteig \u00bb qui est l\u2019ancien chemin \u00e0 l\u2019ouest d\u2019Eisenach, le lieu de naissance de J.S. Bach.<\/p>\n

~:~<\/span><\/p>\n

\u00c0 propos de la suite \u00ab Berezovsky\u2013Zakharava \u00bb<\/strong>
\nTrois \u0153uvres spirituelles de Berezovsky, r\u00e9invent\u00e9es pour cordes, forment le c\u0153ur d\u2019une suite qui traverse les si\u00e8cles. En l\u2019absence des textes psalmiques \u2014 et avec eux, du cadre liturgique \u2014 cette musique profond\u00e9ment expressive se transforme, du sacr\u00e9 vers le spirituel. Non plus pri\u00e8re, mais musique qui touche l\u2019\u00e2me.<\/p>\n

En \u00e9cho, les nouvelles \u0153uvres de Yuliya Zakharava r\u00e9pondent \u00e0 Berezovsky avec fantaisie, ironie et une libert\u00e9 toute contemporaine. Ensemble, ces \u0153uvres tissent un dialogue inattendu entre deux \u00e9poques, deux sensibilit\u00e9s. Cette suite ne cherche pas \u00e0 recr\u00e9er un moment religieux, mais propose plut\u00f4t une sorte de r\u00e9incarnation dans un monde d\u2019aujourd\u2019hui, affranchi de sa vocation liturgique, mais empreint d\u2019une \u00e9motion nouvelle, libre et intime.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_single_image image=\u00a0\u00bb8620″ img_size=\u00a0\u00bblarge\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb css=\u00a0\u00bb\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/elviramisbakhova.com\/fr\/bio\/\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb2\/3″][vc_column_text css=\u00a0\u00bb\u00a0\u00bb] LES PRINTEMPS SLAVES 2025 Festival international de la musique et des cultures slaves Elvira Misbakhova, alto   Program Sinfonia en sol majeur Franti\u0161ek [\u2026]<\/span><\/p>\n","protected":false},"author":9,"featured_media":-1,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8610","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/pages\/8610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/comments?post=8610"}],"version-history":[{"count":9,"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/pages\/8610\/revisions"}],"predecessor-version":[{"id":8660,"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/pages\/8610\/revisions\/8660"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/orchestrenouvellegeneration.com\/fr\/wp-json\/wp\/v2\/media?parent=8610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}